Interview Questions.

Question 1. Can You Recall How Or Why You Became A Maker?

Answer :

As a toddler I loved whittling wood with a pen-knife. Using it as a lever, I broke the blade then sharpened the quit. When hammering it, the blade might fold and cut my hand. So, next Christmas I was given a chisel. At eleven, I remember visiting a furnishings maker and was extremely impressed via the pleasant of his work. That stayed with me through my teenage years whilst I changed into heading for a career inside the Church. In my closing yr at faculty, my father died and this triggered me to reassess my destiny. The search then commenced to discover a workshop training.

Question 2. What Would You Say Are Your Main Influences When Conceiving A Piece Of Work?

Answer :

Most of my work is commissioned. This involves a detailed discussion with the consumer with a view to recognize what they would like. In the system, plenty of different records is amassed but no longer always articulated. A next letter to the customer attempts to crystallise my belief of the quick.

Wherever possible, that is expressed in verbs as opposed to nouns and adjectives as this facilitates to do away with preconceptions. We may all have an idea of what a 'desk' might appear to be, but if verbs are used - write, document, store etc - there are many exceptional approaches these activities may be accomplished. In different phrases, the writing of the brief can in reality contribute on the creative degree. There may be many impacts all operating concurrently.

Nature itself is a steady. From a clothier's factor of view, evolution demonstrates Nature's capability to expand stylish and green structures.

The human shape affords endless suggestion. Artists draw it, but chairs all too frequently forget about what's critical to our consolation and feeling of nicely-being. Whilst rectilinear paperwork are expedient for device manufacturing, they undergo little relevance to what we are able to readily attain and see at a desk. So anthropometrics are a precious source.

Rarely does different fixtures prove inspirational. I'm extra interested by the human beings, the building and the way the venture can decorate the instant environment.

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Question 3. What Comes First - The Materials Or The Design Idea?

Answer :

Design ideas spring from an numerous matrix of statistics and revel in. Occasionally, a herbal feature can have an effect on a layout, like the curved trunk of yew used for the 'Bow' bed - see image to the right. As we feature a numerous inventory of indigenous woods, it is possible to training session the information of a layout with a particular tree in thoughts. If we do now not have what is needed in hand, then expert merchants will source appropriate logs.

Question 4. How Do You Choose Your Materials?

Answer :

I pick out woods from indigenous woodlands and gardens that are incredible because of their colour and grain however no longer to be had in industrial portions. These uncommon and exceptional timbers are best for the making of man or woman portions.

Choices will also be confined by using the dimensions of the mature tree. Whilst oak, ash, elm and sycamore can be big, cherry, yew, holly and mulberry tend to be smaller and shorter. In hand are bushes of these kinds of woods together with a few dazzling o.K.Planted in 1720 and harvested in 1980.

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Question 5. How Long Does The Wood Need To Be Cut And Resting Before You Can Use It - Can You Explain More About This Process Please?

Answer :

In the growing tree, the timber is completely saturated. It shrinks dramatically for the duration of seasoning, the system with the aid of which the moisture evaporates till it's miles in equilibrium with the encircling ecosystem. This can be partially performed by way of spacing the boards with fresh air circulating between them, but further drying is vital to reduce the moisture content material to 8% or less of the gross weight to make sure balance in a centrally-heated interior.

This is done in a kiln in which the humidity and temperature are controlled. Natural seasoning will take approximately a year for each 25mm of thickness, whereas kilning will dry wood from 'green' in a depend of weeks.

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Question 6. Do You Work In A Sustainable Way? Explain.?

Answer :

Sustainability is a complicated problem. Whilst the materials we use come from managed woodlands and the gadgets made will have an indefinite life and ultimate for generations, the making does take a large amount of time and energy, neither of that's without problems renewable.

Sustainability is improved with the aid of designing and making gadgets of putting up with quality and use. This difficulty will not be resolved till there are greater effective methods of evaluating what we suggest by way of sustainability.

Question 7. What Part Of The Process Excites You The Most?

Answer :

There is some thing brilliant about the entire manner. Each level makes one of a kind needs and this range is existence-enhancing. Very few careers combine so many factors starting from running with clients, craftsmen and suppliers, layout and studies, layout improvement, the demanding situations involved in making, showing and strolling the commercial enterprise side.

I have no doubt that the most critical detail in including price is the layout. However exceptional the craftsmanship, this is of constrained significance with the aid of evaluation with the idea.

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Question 8. What Would You Say Are Your Values And Ethics When It Comes To Designing?

Answer :

Seven 'imperatives' come to mind:

honesty of layout and creation.
Respect for materials / use of indigenous timbers.
Espousing technological know-how and era to increase new opportunities.
Utility of material technology to allow the residences of each to complement the others.
Making objects of our own time for present day and future generations.
Doing easy matters well as a foundation for non-stop studying and growth.
Giving craftspeople the possibility to excel, so building competence and self belief.
Question nine. And When It Comes To Choosing Wood And Other Materials?

Answer :

Having labored with craftsmen in Developing Countries, it appears to me that they need help to feature price at source, instead of exporting their uncooked materials.

Parts of Europe have a long culture of coping with their forests with a constant yield of indigenous hardwoods imparting countrywide manufacturing industries.

In Britain, ninety% of our timber is imported. This dates from the time that sizable areas of our forests had been cleared to gas the Industrial Revolution; the manufacture of wood products moved to the ports in which wooden turned into entering the usa.

This destroyed the infrastructure of the inner wooden-growing and manufacturing industries which has never recovered. However, there continue to be a few nicely managed forest estates generating terrific indigenous timbers. The use of such materials is to be recommended if we wish to look controlled woodlands in our panorama.

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Question 10. Can You Describe From Beginning To End How A Piece Of Furniture - Let's Say A Chair - Is Made? Describe Where The Design Concept Came From, What Influenced You, How You Decided On The Wood Or Other Materials Or Colour, How It Was Made And By Whom And For Who - What Processes Did You Employ Etc?

Answer :

'Trine' - Commissioned with the aid of customers in Belgium for their kitchen in an Art Nouveau residence (we had already made the table) - see image to the proper.

The quick for the six chairs referred to as for a layout that might supplement the house, be secure and informal. The concept of a three-legged chair appeared suitable, however we had to show to ourselves that this may be stable, robust and and cozy.

We desired the seat to be structural, so there had been issues approximately the approach of joining the seat to the legs. The stresses on a chair are extra than every other piece of furnishings. There turned into also the thought that it might be exciting to reach at a design that became light, and comprised best of 5 simple elements - three legs, a seat and a back.

To gain the vital energy within the seat and back, they could be made similar to a plywood with alternate layers at proper-angles. The curved legs might be reduce from strong timber decided on so the the grain follows the curve.

With the layout ideas now becoming more specific it become time to make a ridicule-up to check the comfort and structural concept. Contrary to expectation, the curvature of the back leg gave awesome lumbar help.

The returned and seat curvature, vital to exact posture, have been modified in order that each will be sculpted through the layers, lowering weight and expressing their layered structure. We now needed to are looking for the clients' approval of the layout and the suggestion to make the chairs in yew and 5000 year-antique bog oak. All was duly agreed.

The seats and backs had been manufactured from 2mm thick layers of yew-timber, alternating with 1mm thick bog oak, 11 layers for the seats, thirty one layers inside the backs. Each of these layers changed into made of numerous widths joined part to side to make up panels the scale of the seat and returned.

These have been then glued and pressed over a curved mold, the use of a vacuum pump to extract the air from the air-tight bag round the mold and the laminations'.

To provide extra thickness to the seat platform, a small turned disc of yew changed into recessed into the underside to provide extra anchorage for the 9 stainless-steel pins and epoxy that fashioned the joint for each of the the front legs. Again the use of the electricity of the seat, a small bracket of yew turned into added to the bottom on the junction with the again leg; epoxy resin and some of stainless steel pins gave the power wanted at this important point. The joint at the top of returned leg to the again itself become similar.

It become then time to sand all of the surfaces ready for sprucing. The layout degree took almost a month, and the six chairs took four months to make. (James Ralph) The technology right here is a right away result of the Collaborative European Research Programme initiated for the venture at Hooke Park.

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Question eleven. What Makes You Different/ Unique From Other Furniture Makers?

Answer :

Maybe I'm uncommon as a maker in being adopted through the design profession over many years (Fellow of the Chartered Society of Designers). My consultancy work inside the Third World has been a precious enjoy.

Working as a consumer with international-class architects, structural engineers, material scientists and foresters has given me a few broader insights to related spheres of know-how.

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Question 12. Why Do You Think The Brand 'john Makepeace Has Been So Universally Successful?

Answer :

Travel has shaped an critical a part of my education, first as a scholar then as a representative. Exhibiting notably has caused international commissions.

There may be a few fact inside the notion that there may be enhanced reputation at home if your work is collected extra widely. The fact that Parnham and the College unexpectedly have become regarded around the sector made a difference too.

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Question thirteen. What Do You Regard As Your Greatest Success In Your Career To Date?

Answer :

Success is, via its nature, precarious. The maximum worthwhile moments in my profession so far have been those 'discoveries' that subsequently modified my route.

For example: seeing fine furnishings making for the first time at eleven; visiting Danish designers in the course of my teenage years; going to America and realising that 'anything is feasible'; working with top-flight architects on Oxford College homes; discovering that creativity is not the only hold of artists, however permeates properly business and expert exercise; the inadequacy of nation schooling for fashion designer-makers going into enterprise; the standards and economics of forestry; the science of wooden and complementary substances - each of those has been a catalyst for me whether or not in my work as an educator, constructing customer, dressmaker or furnishings maker.

Question 14. What Is/are Your Greatest Threats?

Answer :

As a superb character, threats have in no way really featured in my questioning. The health of frame and mind are long term threats.

Question 15. How Have Things In The Industry Changed In The 50 Years Of Your Making?

Answer :

It is difficult to consider a number of the changes during the last fifty or so years. Rationing after WW2 most effective ended within the 1950's, incomes were modest and living conditions were sombre. The Design Council was a rare oasis, and events like the Festival of Britain encouraged the hope for a brighter future.

The fixtures production and retail industry were targeted on 'traditional' layout, although modern-day Scandinavian inflences had been starting to seem. The crafts felt threatened with extinction, but the Craft Centre in Hay Hill sustained a beacon for the values advanced with the aid of the Arts and Crafts Movement.

Furniture for the retail change is now largely imported. There has been a rapid growth in small professional layout and production companies basically worried in settlement paintings. Media and public consciousness of layout has grown exponentially.

More these days, advances in computer ability have revolutionised the availability of data and patron preference, economic and inventory controls, manufacturing systems and layout techniques. However, the effect of those shifts has now not basically modified the paintings of clothier-makers, in reality introduced new techniques that result in new opportunities in layout and manufacturing.

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Question sixteen. Have Your Practices Changed To Keep Up With New Technologies?

Answer :

Working by myself in view that 2001, I had been gradual to adopt technologies practised through group of workers ahead. I now work with a part-time design assistant, who places my design proposals onto laptop.

In a few cases, those can join immediately to numerically controlled production structures. I do accept as true with that the methods of drawing drastically have an impact on how we conceive thoughts.

Question 17. From All Your Pieces Which Is Your Favourite And Why?

Answer :

I have currently all started to paintings in collection, wherein there may be a subject being advanced. For example, a few carved pedestals have led to the 'Flow' series of 4 chests of drawers all made from the same tree of ripple ash (see 'Windsor', 'Sand' and 'Flow' and photos of 'Flow' and 'Sand' to the right).

These all discover the concept of breaking into the floor of solid wooden to reveal its 3-dimensionality. The styles run round the item to emphasize the point that those are unfastened-standing sculptural items.

The production breaks with conference in that the grain runs horizontally across the 4 aspects and is therefore in concord with the movement of the drawers. All the materials are indigenous: English okaydrawer runners, hornbeam courses, holly drawer-aspects and cedar linings - all chosen to utilise their fine houses.

Another contender as a fave is the 'Leaf' collection of big eating tables with three legs - one dominant and  others flowing from the vein sample in the table top (see 'Mulberry' and 'Spring' and pics of those tables to the proper).

The lobes of the leaf offer spaces for anybody, the edges are sculpted away and clearly activate a level of engagement and interest as the desk appears to drift.

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Question 18. What Are The Benefits Of Being A Maker?

Answer :

Through my revel in as a maker, I even have an instinctive experience for substances and tactics. This allows to construct the self belief to enable one's rebellious inclinations to project conventional exercise and to locate clean solutions.

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Question 19. What Are The Disadvantages?

Answer :

The balance among education and education is important. An over-emphasis on approach can constrain the capability to think independently.

Question 20. Did You Have An Inspirational Teacher?

Answer :

Not officially, but exercise has introduced me into touch with some of inspirational mentors both as clients or expert advisers. They have been instrumental inside the 'discoveries' which have been a consistent element in my profession thus far.

Question 21. What Do You Enjoy Doing Apart From Designing And Making Furniture?

Answer :

Travel; we've got these days visited the tribal regions of Central India. 
Collecting present day artwork and design. Garden design and building. 
Tree-pruning (30 acres of younger forest). 

Question 22. If You Weren't A Furniture Designer And Maker What Would You Have Liked To Be?

Answer :

A range of other careers have appealed to me at unique times. It is not clean to me how precise I would had been at any of them: Architecture, Landscape Design, Interior Design, Gallery Owner and Design Retailing - but they do indicate a long lasting fascination with design.

Question 23. How Can You Design Small Spaces?

Answer :

In a protracted dwelling room, breakdown the space by using making 3 separate seating areas with pieces of furnishings which are small in scale
Use light colour paint on the wall to make the space look bigger
In a small bedroom, keep a mattress that covers 1/2 of the gap which makes the room space bigger
Question 24. When Designing A Room What Is The Most Important Factor For You?

Answer :

Once the design or notion is obvious for your mind approximately the layout is to observe a subject and the layout whole room accordingly which includes color, furniture and piece of artwork.

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Question 25. How To Fit Bookshelves In A Small Space?

Answer :

If you are having small space and accommodating bookshelves is a problem. Then it's miles really useful to get a wall established bookshelves, and it's going to occupy much less floor area compared to free-standing bookshelves.

Question 26. What Wood Will You Prefer For Designing?

Answer :

The wood as a way to be a great preference for formal designing is oak, cherry, and mahogany, whilst, for casual designing maple, bamboo and pine are casual alternatives.

Question 27. What Is A Good Way Of Using Lights In Your Room?

Answer :

A proper manner of the usage of lighting inside the room is to use 80% of lighting fixtures overhead, and 20% of light must be a unfastened stand or wall established like table lamp, artwork lamp, library lamps, scones, etc. It will draw attention of your interior and artwork

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Question 28. How Can You Use The Space In Your Balcony Or Veranda For Garden?

Answer :

If you're staying in an apartment, you may use stacking approach or hang baskets for maximising vertical area. You can use window ledge or slimline balcony by means of planting with suitable containers additionally you could placed ornamental flowers on door step or entrances.

Question 29. Explain What Is Professional Liability Insurance For Interior Designers Cover?

Answer :

Professional legal responsibility insurance for interior designers covers losses, prices, and damages as a result of lawsuits as much as the restriction of your policy. It protects customers from claims of wrongful acts devoted by you or your worker even as appearing expert obligations or losses that takes place to others due to alteration of design.

Question 30. Explain How You Handle Customs Work To Fit?

Answer :

Paperhanging and Design: For wall overlaying installation

Partners in Design: Customs upholstery and re-upholstery that is quick and whilst you need it

Art Application: Use customs artwork for you chair or Sofa cowl

Boston Binding: It is used great in carpeting set up and place rug binding and serging.

Question 31. Explain What Is The Difference Between Interior Design And Interior Decoration?

Answer :

Interior design: Interior clothier have technical information to recognise the full-size array of alternatives and deliver creative solutions to the gap they use for layout.

Interior redecorating: It is set using numerous kinds of coloration and accent to make particular area extra visually attractive.

Question 32. As An Interior Designer What Questions You Will Ask To The Client?

Answer :

About patron budget and time-frame
About layout style
About selection making
Whether worked with any fashion designer before
How you visualize the design process taking region
Question 33. Mention What Are The Tools Does An Interior Designer Takes Help?

Answer :

Color Wheel
Paint Chips
Fabric Samples
Measuring Tape
Digital Camera
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